Harriet McBryde Johnson, a disabled lawyer from South Carolina, visits the Holocaust Museum.
"Then I see the wheelchair. It's similar to other prewar wheelchairs I've seen, but there's something unusual about the frame. Is this a tilting mechanism? A fancy suspension system? Looks like fine German engineering. I like vintage wheelchairs. An obsolete Everest & Jennings drive belt hangs in my office as a bit of nostalgia, like an old wagon wheel in a barbecue shack. I have an urge to jostle the chair, to see what that frame does. The sign mentions a German institution. So, no single owner. But even in institutions, people manage to bond with chairs. A state-owned chair may be occupied by the same person every day, parked beside that person's bed at night."
See "Wheelchair Unbound" in The New York Times Magazine.